Whoooooa, I'm alive!

Where were you man?!


Eh... I don't know. I've been busy. Doing ... Like stuff...


Then why didn't you tell us about it?


It was like... boring stuff... Wiping the nose of my kid... And so on. Do you want to hear about that?

No! We want more fun and music. Some more rants, also. And science! Where's the science in this blog? Gofix!


...


Ah. Well. Let me see. I should think this is already weird enough to count as a rant. Science. Ah. I'm sorry, Dave. I'm afraid I can't do that, right now. (Did you see what I just did there? Referenced a classical sci-fi flic, while stipulating that I cannot talk about science? This blog may be dropping to new depths of cheap puns to survive...)

Now go listen to Alphabeat's perky cover of the excellent Daft Punk tune, Digital Love.




There's a recorded and polished version as well. As usual I prefer the live version, though.

Reevalution - Turboweekend

I recently put down Danish synth/electro-rockers Turboweekend as less than surprising, and lacking something. Silas Bjerregaard, the singer is clearly gifted; however the singles, I'd noticed on the radio, and zipped past on my Last.FM-profile, were quite good - but a bit too tidy, too constructed, too pretty for my taste. I may be simple creature, but in both electronic and rock-music I generally look for something unsettling, something unexpected and raw, an instrument, a passage, or a driving beat, that oozes energy. Incidentally, that is, I guess, as close as I can get to a personal definition of rock.

I wasn't particularly happy about putting Turboweekend down, though. They fit pretty much in the sweetspot of my current musical tendencies; and I found myself digging through their back catalogue over the next few days. I'm pleased that that musical journey led me to reevaluate my earlier verdict.

Listening through the material from their two albums, Night Shift (2007) and Ghost Of A Chance (2009), I found myself liking the lighter style and faster beats on their debut-album more. Listen, and take look at, the pleasingly naïve and refreshing Wash Out.



Given my preferences, this contrasts to the more somber tone of Ghost Of A Chance, exemplified here with the single After Hours.



Now, at this point I happened to watch a recording of the excellent show Backstage (on DR2 - by our nice friends, the Danish Broadcasting Corporation) with Turboweekend (and rappers UFO Yepha). The programme seeks to expose the best of current Danish live-music, by setting up a friendly "battle" between two Danish bands, also requiring them to create a novel act together. This had lead to many interesting, amusing, and also splendid moments of art. I'll try to get back to that later. For now, let me focus on Turboweekend. Simply put, live, they add that spark of energy and power, that I so missed in their recordings. Listen to, and in particular, take a look at their rendition of After Hours on the show.



Interestingly - speaking pure audio - the live-version is not radically different, actually. Mostly, the vocals are sung more powerfully and freely; but the energy that their stage-performance exudes makes a great difference for me. The intonation, and visual underlining of the line "From my window - I've got a clear view of the towers." simply drags me in and requires me to feel the beat and vocals much more strongly.

Their other single-performance on Backstage, of Holiday - also from Ghost Of A Chance, displays a similar amount of great energy, that just blasts through the screen. (It really helps also, that the Backstage-audience for this programme is really enthusiastic - something which is sadly not the case, every time.)



Splendid. Turboweekend is on my plus-list now. And incidentally - damn, I look forward to having more time to go see live-music again...